Andrew Byrne’s latter-life tango with the
Bard.
Since retiring
from my medical practice 3 years ago I have developed a very keen interest in and
appreciation for Shakespeare, something I seem to have missed out on in my
younger life.
With help from an
accomplice partner, a retired librarian, teacher and administrator, I have read
almost 30 books on the 36 plays, 154 sonnets, 2 poems as well as the
Elizabethan era itself. I have also
learned a dozen or so of the more well known speeches. Do I have any deeper insights into the genius
storyteller? Probably not, but I have
gleaned a few surprising facts over the months of study.
There are two
‘lost’ plays, Love’s Labour Found and Cardenio, fragments of which exist yet
the miracle is that 36 plays are available in numerous forms, most reliably in
the First Folio of 1623. These were published
the decade after Shakespeare’s death by a dedicated group including several
notable actor colleagues who knew the value of the plays and the tragedy if
they were lost. At least eight of the plays
are now known to have been co-authored most notably at the very beginning of
his career and at the very end (Henry VI parts 1-3 with Marlowe; Henry VIII;
Two Noble Kinsmen, both with John Fletcher).
AI has now confirmed to a very high degree of accuracy what some
scholars had been proposing for years.
Bill Bryson’s
slender tome on the subject (he states he is no expert) tells us that
Shakespeare avoided using the word ‘ALSO’ unlike his contemporaries like Marlow
and Jonson (Bryson gives examples he searched).
This may be a minor anecdote but every little clue may help in
establishing just what Shakespeare was all about.
The most
revealing fact for me was contained in my 30th book which was about
Shakespeare in translation by Daniel Hahn.
In it he points out that only native English speakers are aware of and
have to deal with the unfamiliar vocabulary and grammatical constructions of
Early Modern English. Virtually every
translation is more up-to-date and familiar so that a Japanese, French or Maori
reader or listener will experience language which is much more familiar and
comprehensible than we do in English.
This raises the
issue of up-dated Shakespeare in English.
This was first proposed in the Restoration period around 1660 when
theatres were again opening in London after a long period of closure related to
the Puritan sentiments against performing arts generally. I read one quote dated about 1675 that the
English language had moved on since 1600 and audiences would be unfamiliar with
much of the content, justifying re-writing (a sentiment we hear occasionally
today!). But this also involved
rewriting some of the plots such as a happy ending for King Leah as well as
deleting many of the more unsavoury characters, something we would not condone
today under any circumstances. Shakespeare
dodged the censors and churchmen of his day partly by being so popular with
royalty, both Elizabethan and Jacobean.
It may not
surprise that the books I’ve been reading all use quotes and these quotes are
nearly always from the ‘top-twenty’ such as ‘To be or not to be’; ‘Tomorrow,
and tomorrow’; ‘Now is the winter of our discontent’, ‘There is a tide in the
affairs of me’; ‘All the world’s a stage’, etc.
This made me wonder if the rest of Shakespeare is simply not worth
quoting. So in order to test this thesis
I chose at random the third scene from the third act of half a dozen plays to
look at this question. I did the same
for Tamburlaine by Marlowe and a play by Ben Jonson of the same era finding
that all had magnificent poetry and drama, if not eclipsing the famous quotes,
worthy of their fame alongside.
Readers may be
interested to know how so much could possibly be written about
Shakespeare. Even the titles make
interesting reading, reflecting the enormous scope of fields covered.
Mad about
Shakespeare. J. Bates 2022
The Soul of The
Age – J. Bates 2009
The Genius of
Shakespeare – Johathan Bates 2008
Some Achieve
Greatness. John Bell 2021
Shakespeare is
Hard, But so is Life. Fintan O’Toole
Shakespeare and
the Countess. Chris Laoutaris 2014
1599 - A year in
the life of William Shakespeare. James Shapiro 2005
1606 James
Shapiro 2015
Shakespeare in a
Divided America. James Shapiro 2020
Will Contested.
James Shapiro 2010
Acting Straight.
Will Tosh 2024
Shakespeare’s
Sisters. Ramie Targoff 2024
Shakespeare’s
Book. Chris Laoutaris 2023
The Great White
Bard. Farah Karim-Cooper 2023
Everyday
Shakespeare. Ben Crystal and David Crystal 2023
Shakespeare’s
Sonnets. Penguin Books
King Leah (Quarto
and Folio texts). S. Orgel 2000
This is
Shakespeare. Emma Smith 2020
The Man who Pays
the Rent. Judi Dench 2023
The World As a
Stage. Bill Bryson 2007
She Speaks.
Harriet Walter 2024
Dark Renaissance.
Stephen Greenblatt 2025
A Piece of Work.
Simon Russell Beale 2024
Swerve. Stephen
Greenblatt 2012
Shakespeare was a
Woman (and other heresies). Elizabeth Winkler 2023
Shakespeare &
The Poets War. James Rednarz 2001
John Bell on
Shakespeare. John Bell 2012
Hamnet. Margie
O'Farrell 2020
Shakespeare's
other son? RE Pritchard 2022
History Play.
Rodney Bolt 2004
Shakespeare on
Toast. Ben Crystal 2008
Shakespeare as a
Dramatist. Sir John Squire 1935
Shakespeare's
Sonnets. David West 2007
Women of Will.
Tina Packer 2015
If this be magic.
Daniel Hahn 2026
The Scapegoat.
Lucy Hughes-Hallett 2024
Playgoing in
Shakespeare's London. Andrew Gurr 1987
Mapping
Shakespeare. Jeremy Black 2018
The speeches I
have taught myself include the following:
All the world’s a
stage (Jacques; As you like it).
Could great men …
But man, proud man (Isabella; Measure for Measure).
Methinks I am a
prophet/This royal throne of kings (John of Gaunt, Richard 2)
O pardon me thou
bleeding piece of earth (Marc Antony in J. Caesar)
When beggars die
no comets are seen (Calpurnia; J. Caesar).
You do look, my
son, in a moved sort, (Prospero, Tempest).
There is a tide
in the affairs of men (Brutus; J. Caesar)
She should have
died hereafter (Macbeth)
This was the
noblest Roman of them all. (J. Caesar)
The quality of
mercy (Portia, Merchant)
To be or not to
be (Hamlet).
The crickets sing
… (Cymbeline bedroom scene)
Fear no more the heat o’
the sun (Cymbeline funerary song)
It is our fast
intent .. (King Leah)